Video and Filmmaking as Psychotherapy: Research and Practice is an academic book edited by Joshua L. Cohen, J. Lauren Johnson, and Penelope P. Orr. Published in 2015 by Routledge, it is part of the Advances in Mental Health Research Series. The book explores the use of video and filmmaking in therapeutic practices, providing theoretical and practical insights into applying these techniques in various settings.

While film and video have long been used within psychological practice, researchers and practitioners have increasingly explored the therapeutic benefits of film and video production. This volume describes a developing area of psychotherapy that employs filmmaking and digital storytelling to support trauma survivors. It addresses ethical considerations and examines cultural and developmental implications in clinical psychology. Drawing on perspectives from anthropology, psychiatry, psychology, and art therapy, the book supports the integration of film and video into therapeutic practice.

The book is listed in the National Library of Medicine‘s catalog and is frequently cited in art therapy, psychotherapy, and video-based intervention research.[1]

One notable chapter, written by Kim Anderson, discusses the effectiveness of digital storytelling as a trauma intervention for children exposed to domestic violence.[2] Benjamin Patton’s chapter highlights a clinical trial evaluating the use of digital video production for veterans coping with PTSD. The study demonstrated improvements in emotional regulation and social reintegration.[3] Cathy Malchiodi’s work on art therapy provides a broader theoretical framework for the book’s applications.[4]

Contents

The book consists of 16 chapters, each authored by experts in the field, covering topics such as ethical considerations, technological applications, and interventions for specific populations.

  1. Introduction / Joshua L. Cohen and J. Lauren Johnson
  2. Ethical considerations in film- and video-based therapies / J. Lauren Johnson and Joshua L. Cohen
  3. Film/video-based therapy and editing as process from a depth psychological perspective / Joshua L. Cohen and Penelope P. Orr
  4. Filming the fantasy: green screen technology from novelty to psychotherapy / Jon Ehinger
  5. Vision, story, medicine: therapeutic filmmaking and First Nations communities / J. Lauren Johnson
  6. Expansive palettes: a client video media experience / Natalie R. Carlton
  7. The benefits of using a technological intervention for children and adolescents within a grief and loss program / Carolyn McGurl, Winston Seegobin, Elizabeth Hamilton, and Mark McMinn
  8. Digital storytelling as a trauma narrative intervention for children exposed to domestic violence / Kim Anderson and Beatriz Wallace
  9. Digital video intervention with special populations: looking for inherent qualities / Penelope P. Orr
  10. Digital storytelling: using videos to increase social wellness / Martin Otanez and Wanda Lakota
  11. Video art and activism: applications in art therapy / Basis Mosinski
  12. Digital video production: healing for the YouTube generation of veterans / Rivka Tuval-Mashiach and Benjamin Patton
  13. Video art therapy / Yarden Kerem
  14. Expanding the scope of traditional art therapy with green screen technology / Joe Kavitski
  15. Technology, art therapy, and psychodynamic theory: computer animation with an adolescent in foster care / Brian Austin
  16. Special education students and documentary production: a case study / Penelope P. Orr

Reception

The book has been praised for its interdisciplinary approach, blending psychotherapy, art therapy, and digital technology. Cathy Malchiodi’s work is cited as foundational to understanding the role of art in therapeutic practices.[4] Lauren Johnson’s pilot study provides empirical support for the application of therapeutic filmmaking in clinical settings.[5] Benjamin Patton’s clinical trial further underscores the evidence-based approach of the book, establishing digital video production as a viable intervention for PTSD.[3]

References

  1. Cohen, Joshua L.; Johnson, J. Lauren; Orr, Penelope P. (2015). Video and Filmmaking as Psychotherapy: Research and Practice. Advances in Mental Health Research Series. New York: Routledge. ISBN 9781138781429.

  2. Anderson, Kim; Wallace, Beatriz (2015). “Digital Storytelling as a Trauma Narrative Intervention for Children Exposed to Domestic Violence”. In Cohen, Joshua L.; Johnson, J. Lauren; Orr, Penelope P. (eds.). Digital Storytelling as a Trauma Narrative Intervention for Children Exposed to Domestic Violence. New York: Routledge. pp. 85–100.

  3. 1 2

    Patton, Benjamin (2013). “Digital Video Production as Therapy for PTSD: A Clinical Trial”. The Journal of Military Medicine. 178 (9): 1005–1011. doi:10.7205/MILMED-D-12-00534.

  4. 1 2

    Malchiodi, Cathy A. (2006). The Art Therapy Sourcebook. New York: McGraw Hill. ISBN 9780071468275.

  5. Johnson, J. Lauren (2008). “Therapeutic Filmmaking: An Exploratory Pilot Study”. The Arts in Psychotherapy. 35 (1): 11–19. doi:10.1016/j.aip.2007.10.005.

Film/Video-Based Therapy

Film/Video-Based Therapy

Film/Video-Based Therapy involves making movies with clients. It draws from several disciplines including cinema therapy, expressive therapy, narrative therapy, art therapy, digital storytelling, and phototherapy, which requires a collaboration to integrate the many dynamic aspects of art and medicine. Joshua Lee Cohen Ph.D., author and co-editor of "Video and Filmmaking as Psychotherapy: Research and Practice" (published by Routledge in 2015), helped to establish a collaborative effort in forming film/video-based therapy. This form of therapy is about making films with clients, as opposed to cinema therapy, which involves watching films. Dr. Cohen has utilized watching films and mindfulness in his work. Dr. Cohen has been cited in Tuval-Mashiach and Patton's clinical trial and participated in peer-reviewed research on the use of video narrative in cancer research. It is not trademarked for advertising or financial purposes but intended to protect the sanctity of the license for mental health professionals and the use of the word "therapy" when used in conjunction with film/video in the United States. (Other countries may have different policies)

Film/Video-Based Therapy is used in both research and practice. It has several names, each with a slightly different purpose for each population. In some cases, Film/Video-Based Therapy and Virtual Reality can be used with psychological assessments first before using filmmaking as recreational activities. This can keep the clinical aspects separate from the fun of the recreational activities. Psychological assessments need to be conducted by licensed psychologists, while recreational activities can be done with art therapists, Marriage and Family Therapists, Social Workers, filmmakers, digital storytellers, and other qualified individuals to run groups and recreational activities with the support of a licensed clinician.

In California, peers with mental health challenges might run storytelling groups approved by state bill 803 as long as they pass a state-backed peer certification program. Once they pass the certification program, they will bill off of insurance for running these groups.

Therapeutic Filmmaking

This term was coined by J. Lauren Johnson, Ph.D., the co-editor of the academic monograph/book titled "Video and Filmmaking as Psychotherapy: Research and Practice." To learn more about Therapeutic Filmmaking, one can read about Johnson and Alderson's pilot study on the subject or Johnson's use of Therapeutic Filmmaking with First Nations populations. The term is also used for both veterans and active duty servicemen and women with Benjamin Patton's and Rivka Tuval-Mashiach's work. The work is intentionally ambiguous, so that the population may not be intimidated by the stigma of a diagnosis. The lack of pressure to call it "therapy" opens up a space to allow for new and old healthy memories to form.

Video Remix Therapy

Video remix therapy is used primarily in private practice with art therapists, drama therapists, and other expressive art therapists. "Stories play a significant role in how we feel about and interact with the world. Narrative therapy and expressive arts therapy are major influences on the creation of expressive remix therapy, a new form of engagement with clients. This article is an exposition of this particular mental health modality. The use of digital media art in therapy in group settings will be discussed, and examples of how to use digital media art and technology in group therapy sessions are provided. The intention of this article is to promote a renewed appreciation for stories as the backdrop for all narrative work; it also seeks to inspire people to look at the practice of mental health differently, particularly the tools used to positively impact clients." (Jamerson, J. 2013)

Digital Storytelling

Digital storytelling is also used in collaboration with film/video-based therapy and is primarily used for education. Storytelling is an indigenous and ancient way for people to relate to one another and to understand the mysteries of life. Using modern technology, artists have used film and video for expressing ancient and modern images and sounds.

History of Film/Video-Based Therapy and Other Therapies, Similar to This Genre of Healing

This method of using film as a healing tool is not a new concept. However, with the advent of modern technology and filmmaking, digital storytelling, virtual reality, and therapeutic filmmaking as well as film/video-based therapy are growing in popularity and the research is growing. It is a collaboration between clinicians and practitioners in art therapy, expressive therapy, phototherapy, psychotherapy, digital storytelling, and other mental health and academic fields of study and practice. Currently, art therapists, expressive therapists, psychologists, masters level practitioners, psychiatrists, anthropologists, filmmakers, academics, and other clinicians have contributed to this collaborative effort in building a global community to help further define this field. The use of film and video in, or as, therapy has a decades-long history in practice. Early work in this field included the post-World War II use of experimental, non-narrative films to calm veterans suffering from shell shock. The 1970s saw boys in a group creating short films together to foster group cohesion, mastery skills, and better communication. With the advent of portable video equipment in the 1970s, female artists began turning the camera on themselves, making themselves the object of their own gaze.

There is a dearth of literature on the theory and practice of using film/video production as therapy and the multidisciplinary practitioners who support its use. Copious literature exists discussing the use of related media in a therapeutic context, such as photography, writing, drawing, music, and drama, but this body of literature is virtually vacant of film/video as a therapeutic medium.

Despite the fact that there is little writing in this area, numerous practitioners from around North America and Europe are quietly working with film/video-based therapy – often independently, as the community of practitioners is still quite small and geographically scattered.

This is an attempt to bridge that gap and bring people together as a global community, and new research and practices are emerging.

Virtual Reality

Film/video-based therapy can also be used with virtual reality and specifically designed to treat bipolar disorder, phobias, psychosis, etc. Film/Video-based therapy combines somatic techniques, depth psychology, Virtual Reality, and digital storytelling, which is different from the cognitive/exposure therapy being used today in most forms of VR therapy that favor exposure therapy and cognitive-behavioral therapy over depth approaches and narrative. Although some exceptions exist, as depth approaches are gaining more acceptance after proving evidence-based approaches to depth work, such as Allan Schore's work at UCLA.

Using Technology to Improve Health Through Narrative

One theory as to why film/video-based therapy works with trauma may be due to the reprocessing that happens during the final moments of editing, similar to EMDR. In the moment of making a film, one can use somatic experiencing which was designed to regulate the autonomic nervous system. Telling one's story can help to reprocess old memories while avoiding triggers or reprocessing them in a new way using the technology. There is some research in this area yet, but it is still in development.

Culture

Film/video-based therapy is also about building a therapeutic relationship with a person and a wider support group or community. When dealing with any technology, whether virtual reality or digital storytelling, the theory remains the same: film/video-based therapy is about using technology for human purposes and building relationships with others and nature. Technology is just the language for understanding, appreciating, and honoring our nature.

References

  1. Cathy Malchiodi (April 2, 2013). "Defining Art Therapy in the 21st Century". Psychology Today. Retrieved May 23, 2016.
  2. "Related Techniques". PhotoTherapy, Therapeutic Photography, & LÖÖPS. 2014-07-03.
  3. Bronwyn Robertson (March 29, 2016). "All things connect: The integration of mindfulness, cinema and psychotherapy". Counseling Today. Retrieved May 23, 2016.
  4. Drebing, Charles; Patton, Benjamin W.; Tuval-Mashiach, Rivka (2018). ""When You Make a Movie, and You See Your Story There, You Can Hold It": Qualitative Exploration of Collaborative Filmmaking as a Therapeutic Tool for Veterans". Frontiers in Psychology. 9: 1954. doi:10.3389/fpsyg.2018.01954. ISSN 1664-1078. PMC 6234913. PMID 30464751.
  5. Pereira, Lila; Sampson, Jessica; DiCola, Katie (2019-06-20). "Factors Related to Linguistic Content in Video Narrative of Adolescents with Cancer and Healthy Controls". Journal of Psycholinguistic Research. 48 (5): 1185–1201. doi:10.1007/s10936-019-09652-z. ISSN 1573-6555. PMID 31222472.
  6. "FILM/VIDEO-BASED THERAPY Trademark of Cohen, Josh - Registration Number 4770701 - Serial Number 86498577 :: Justia Trademarks". trademarks.justia.com. Retrieved 2019-07-19.
  7. Johnson, J. Lauren; Alderson, Kevin G. (2008-01-01). "Therapeutic filmmaking: An exploratory pilot study". The Arts in Psychotherapy. 35 (1): 11–19. doi:10.1016/j.aip.2007.08.004. ISSN 0197-4556.
  8. "[PDF] (Advances in Mental Health Research) Joshua L. Cohen, J. Lauren Johnson, Cathy Malchiodi-Video and Filmmaking as Psychotherapy_ Research and Practice-Routledge (2015).pdf - Free Download PDF". docuri.com. Retrieved 2019-07-19.
  9. Tuval-Mashiach, Rivka; Patton, Benjamin W.; Drebing, Charles (2018-10-16). ""When You Make a Movie, and You See Your Story There, You Can Hold It": Qualitative Exploration of Collaborative Filmmaking as a Therapeutic Tool for Veterans". Frontiers in Psychology. 9: 1954. doi:10.3389/fpsyg.2018.01954. ISSN 1664-1078. PMC 6234913. PMID 30464751.
  10. Adam Ashton (October 20, 2015). "JBLM veterans focus on filmmaking". The News Tribune. Retrieved May 23, 2016.